
All the Heaven's Doors by Armin Rangani (Writer & Director) and Raha Amirfazli (Writer)
Discover the three animation feature film projects selected to the 2026 Annecy Festival Residency!

All the Heaven's Doors by Armin Rangani (Writer & Director) and Raha Amirfazli (Writer)
Writer & Director: Armin Rangani (Iran)
Writer: Raha Amirfazli (Iran)
18th-century Persia. In a brutal conquest of a city sheltering the falling king, all the men are blinded. The women find themselves among men who can no longer see. Now, free from past traditions and oppressions, they build a utopia. They deceive the king's tax collectors on their monthly visits by wearing hijab and hiding behind the blind men, who are now mere shells of their former selves. The utopia flourishes until a naive tax collector is delayed by a storm and catches them by surprise.

Condenaditos by Matisse Gonzalez Jordán (scénariste, réalisatrice)
Writer & Director: Matisse Gonzalez Jordán (Bolivia)
Producers: Stefan Michel, Executive Producer, Studio Seufz (Germany), Edwina Liard & Nidia Santiago, Executive Producers, Ikki Films (France)
In the magical and dark land of Bolivia, Kiki's life with her cursed mother, Gema, is disrupted when she befriends Domitilo, a victim of the Bolivian dictatorship, which brings Kiki to mysteriously inherit her family's curse. As she delves into her family's secrets, Kiki uncovers her grandfather's dark past and his involvement during the Bolivian dictatorship. Defying her family's warnings, Kiki kidnaps her grandfather and embarks on a journey with him to make him face Domitilo and ask for forgiveness.

Todo viene del agua by Gustavo Almenara
Director: Gustavo Almenara (France)
Producers: Vanessa Buttin-Labarthe, Producer, Les Astronautes (France), Luc Camilli, Producer, XBO Films (France)
In 1957, in a poor district of Caracas, young José becomes aware of a reality rife with injustice in a country where wealth is pouring in. He becomes viscerally involved in the revolutionary struggle and strives to transform Venezuelan society. Sixty-five years later, José recounts his memories to his 12-year-old French grandson Alessandro, who knows nothing about Venezuela.